Contour
The proximity of one line to another produces an oscillation of the figure. The assumed identity of the line as an object is momentarily disrupted. The wall is rendered animate.

Pixelation
The capacity to describe an object through images may be such that the description of the object begins, in some instances, to coincide with the object itself. The projection of the photograph onto the wall transforms it into a window. Solid is rendered translucent, engendering multiple authenticities.

Reflection
The coincidence of image and object occurs through multiple degrees of resolution. Qualities of sharpness and fuzziness compete, eroding the distinction between architectural elements.