As our lifestyles become more immersive, we are increasingly less aware of our congenital modes of experience. The ubiquity of digital technology has rearranged and restructured these modes, simultaneously creating illusive, yet palpable relationships to one another and our mechanisms of interaction. Our unprecedented access to the Internet, enables us to consume news, images, and information (both legitimate and illegitimate) rapidly. As a result, we interact with media superficially, obligated to instantly accept or reject the outward appearance of things in the form of ‘likes’ and emojis. This commodification of form and image has profound implications for the discipline; in the way we produce, discuss, and represent architecture. Offramp 13: Guise includes essays and projects that reflect on the oscillation between observing what is immediately perceivable and contemplating the indexicality of its construction.